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Released in 1972, Angelou's Georgia, Georgia, produced by a Swedish film company and filmed in Sweden, was the first produced screenplay by a Black woman.[61] She also wrote the film's soundtrack, despite having very little additional input in the filming of the movie.[62][note 9] Angelou married Paul du Feu, a Welsh carpenter and ex-husband of writer Germaine Greer, in San Francisco in 1973.[note 10] Over the next ten years, as Gillespie has stated, "She [Angelou] had accomplished more than many artists hope to achieve in a lifetime."[64] Angelou worked as a composer, writing for singer Roberta Flack,[note 11] and composing movie scores. She wrote articles, short stories, TV scripts, documentaries, autobiographies, and poetry. She produced plays and was named visiting professor at several colleges and universities. She was "a reluctant actor",[66] and was nominated for a Tony Award in 1973 for her role in Look Away.[67] As a theater director, in 1988 she undertook a revival of Errol John's play Moon on a Rainbow Shawl at the Almeida Theatre in London.[68]




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McWhorter recognizes that much of the reason for Angelou's style was the "apologetic" nature of her writing.[138] When Angelou wrote Caged Bird at the end of the 1960s, one of the necessary and accepted features of literature at the time was "organic unity", and one of her goals was to create a book that satisfied that criterion.[172] The events in her books were episodic and crafted like a series of short stories, but their arrangements did not follow a strict chronology. Instead, they were placed to emphasize the themes of her books, which include racism, identity, family, and travel. English literature scholar Valerie Sayers has asserted that "Angelou's poetry and prose are similar". They both rely on her "direct voice", which alternates steady rhythms with syncopated patterns and uses similes and metaphors (e.g., the caged bird).[180] According to Hagen, Angelou's works were influenced by both conventional literary and the oral traditions of the African-American community. For example, she referenced more than 100 literary characters throughout her books and poetry.[181] In addition, she used the elements of blues music, including the act of testimony when speaking of one's life and struggles, ironic understatement, and the use of natural metaphors, rhythms, and intonations.[182] Angelou, instead of depending upon plot, used personal and historical events to shape her books.[183]


Why does diversity in publishing matter? The book industry has the power to shape culture in big and small ways. The people behind the books serve as gatekeepers, who can make a huge difference in determining which stories are amplified and which are shut out. If the people who work in publishing are not a diverse group, how can diverse voices truly be represented in its books? 350c69d7ab


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